Poetry

The Breeze & The Black Door: Poems by Mack W. Mani [OUT NOW]

I’m pleased to announce the release of my debut collection of poetry, available now via Amazon. Most of these pieces have been published separately in literary magazines over the last ten years, and it’s my pleasure to present them alongside several previously unpublished poems. Complimentary digital copies are available upon request for the purposes of review (see below). Here’s a little more information on the collection:

A cold breeze on a hot summer day.

Hot breath on Halloween night.

Distant stars beckon and blink out of existence.

From within the dusty halls of an old mansion, the black door is calling, waiting to be opened…

In this debut collection from award-winning poet Mack W. Mani, haunted houses, nuclear reactors, dystopian cityscapes, and unincorporated territories are twisted and reflected into prophetic visions of the past, present, and future. By turns startling and profound, these poems find new connections and meanings in the genres of horror, myth, and science-fiction. Purchase a digital or paperback copy via Amazon, with other retail options forthcoming.

If you would like to read The Breeze & The Black Door for free, with no obligation other than providing an honest review, please reach out to the author via email at MWMani@gmail.com with your name and preferred format of document (epub, pdf, docx, etc). Reviews can then be left on the website of your choice, though Goodreads, Amazon, or your personal website are preferred. If you have any questions or concerns, please contact the above address.

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Poetry

The Breeze & The Black Door

Have you ever lost someone to themselves? Watched slowly as they slipped away from you, despite everything you’d been through? My latest poem in Deadlands Issue #41 is about the ones we love and how they can change right before our eyes, day by day, until all that is left of them is a memory. Read the full poem here along with the rest of the issue for FREE. But here’s an excerpt to get you started:

I heard some movement at my front door
but it was just a storm.

Drank my beer over the sink
so I didn’t stain my shirt anymore.

Fixed the leak
and found a place on the floor.

Wife’s been leaving the back door unlocked.

Not every night,
but enough to raise the question.

She bought some paint and a brush home
from Benny’s Department Store.

Had me paint that old back door
as black as a raven.

So I stripped myself to the waist
to feel the Halloween breeze
and did as she pleased.

I heard her unlock it
last night in her sleep.

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Short Fiction

The Halloween Man

Last fall, I was happy to be a part of the Rooted in Rite Halloween Anthology from Rooted Literary Magazine. You can buy the digital or physical edition of that anthology here, as well as their latest Rooted in Home anthology. Here’s an excerpt from my story, “The Halloween Man”.

He’s haunted me since I was a child, fumbling with a dull kitchen knife against the pumpkin fat. He is the stomachache of sneaky snacks, the guilty thrill of Jolly Ranchers popped quietly at midnight. He’s what you light the jack-o’-lanterns against, the costume you’re too scared to wear, the horror they don’t show, the gore you can’t explain away with latex, corn syrup, and movie magic. If Halloween is a white sheet, then he is the two black holes, sightless and unseen. I’ve felt his presence as far back as I can remember, but I didn’t see his face until I met him, one lonesome October, in the back of a haunted house.

I was almost thirteen and tired of hearing, Aren’t you getting a little too old for this, Will? You can have all the candy you want at home! I knew my trick or treating days were numbered, but each year I wished more and more that Halloween would never end. I was obsessed with horror movies and would rent successive sequels from the video store downtown. My favorites were the slashers, Halloween and Friday the 13th, anything with screaming girls and gleaming knives. Like a lot of kids that year, I was going as Ghostface, while my little brother Nick was going as a cowboy (he’d hide under his blanket for any scary movie that wasn’t Hocus Pocus. We’d already carved our pumpkins and

watched Linus wait all night in his empty patch. I had convinced my mom to show me The Silence of the Lambs, the only horror movie she could stand, and had seen every movie they played on TV that month, carefully recording the ones I didn’t already own on VHS.

One night, during the commercials, I saw an ad for the promised land.

Coming this Halloween weekend to the Marblemount Community Center: A spine-tingling experience not for the faint of heart!

Thrills! Chills! Tricks! Treats!

Dare you enter…The Macabre Manor?

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Poetry

Champagne Remnants in The Non-Binary Review

I have a new sci-fi poem out now in The Non-Binary Review issue #40. The theme was epiphany and I had a great time writing this one. Read an excerpt below and get your copy here!

Champagne Remnants

Shipwrecked on Blackstone Delta
S.O.S.

Her hometown became a dream,
a glittery story filled with secrets,
caricatures and blue neon hues;
Twin Peaks by way of John Hughes.

Small town gods,
brief and beautiful
finite and divine:
mayors and mayor’s sons
garage bands and single moms
shiny linoleum dulling all summer long,
cigarette smoking schoolgirl dreams
descending every night to rocky shores
of methane swamps where it is said
2001 is a nursery rhyme.

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Short Fiction

Dreams of the Ghost House in Black Sheep Magazine

My latest short story is in the new issue of Black Sheep, on sale now! Read an excerpt below and pick up your copy of the magazine (digital or physical) here.


There were only two homes on Lost Loon Lake, the Arthur’s sleek modern summer house and a gimcrack mansion directly across the water, half shrouded in pine and time. Its cracked and peeling Georgian columns and rococo balustrades spoke to a bygone era of old money, when for the ultra-wealthy bigger was always better. That place had two names and the first was Autumnhall, enormous and empty.

The older people of the nearby town (if twenty miles can be said to be near) rarely spoke of it, and even then, only to comment on something else. Brodie had heard his mother or his aunt or the women at the diner saying things like, “Don’t run around with Charlie Mayse, he takes girls past Autumnhall and dumps them come spring.” Or “Lord, I tell you she can’t keep a house! Her place puts Autumhall to shame.”

They used it like a ward, as if to diminish it in their minds. The younger people in town were nowhere near as reserved and it seemed like there was always some new wrinkle being added to the legend of The Ghost House on October playgrounds or whispered on late and wild drunken teenage nights.

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Short Fiction

The House is Alive

You follow me up the servant’s stair, onto the darkness of the landing. The only light here comes from our headlamps, so dim now, we squint to see, their yellow light ever dimming. We squat in the hallway, beneath a dusty tapestry and you light one of the cigarettes provided by Central, 75% tobacco and 25% Adderall (to sharpen our senses, even as they are dulled). In this way, we are able to navigate the halls and stairs and endless rooms with minds un-compromised.

Protocol dictates that once every hour, we stop and assess our progress, which means checking to see if either of us have lost our minds. The unasked question between us now, what happened to the previous investigation? Were they overwhelmed by this house? Had all their training and meditation left them still unequipped for what resides here? Were there bodies to be found, or had they simply dissolved into the architecture of this place? Of only one thing we are certain.

The house is alive.

That we stick together is of the utmost importance, never leaving each other’s sight. Lest one of us wander down a corridor that a moment later, doesn’t exist or experience some specific phenomena that cannot be corroborated. You ask if I’ve seen anything unusual and I admit that the house seems to be moving slightly, the walls and floors expanding and contracting, as though we were exploring the arteries of some massive creature. To this you only nod, because we both know it could be worse. Much worse.

You try the radio again, in a half-hearted attempt to reach basecamp, a mile away, tucked in the hills behind the estate. But you know we’ve been cutoff from the outside world ever since we mounted the stairs to the second floor, modern technology having no affect in the upper stories.

There are rumors about this place, stories passed down from the natives to the French missionaries, legends of a squat stone building, the color of bone, that existed in this place before time memorial. Myths, like dreams, are easy to laugh at, but hard to ignore in the way they crawl inside you and set up camp.

As we mount up, I have you help me with my pack. I tell you it’s because of the bulk, (enough supplies to last us a week) but my hands have begun to feel numb ever since we stopped. We keep our eyes open for another staircase or ladder, but there’s nothing, just rooms and anterooms, places for music and bathing, for powder, business, pleasure, rooms for children, suites for guests, quarters for neighbors and servants, pantries and shelves of dusty cans, wine cellars stocked with mildew and grime. No sign of any outside thing, just us, in this house and I can’t help but feel intruder here, a child playing in a mausoleum.

We round a corner and I see two figures, standing at the end of the hall, turned from us. They wear heavy packs, strapped to their bodies. All through my face, I feel the familiar crackle of recognition, and I know, they are us. As we step forward, so do they, and I am afraid that if I turn back, I will see myself turning and beyond that, another and another.
You put your hand on mine, What is it? What do you see?

And the music begins.

A great sweeping orchestra, somewhere in the house, brass and woodwind, the percussion alone could deafen. I turn to see your reaction and by the look on your face, I know you cannot hear it. I open my mouth to explain, when several dust particles settle onto an antique chaise in the parlor, cast off from the ceiling by our vibrations one floor above. The beauty of this connection brings tears to my eyes.

Your grip on my arm tightens and mouth agape, I realize that I’m incapable of explaining to you, in any words, how I can feel so thoroughly throughout the house; a single drip of condensation sliding down a wall of white-yellow stone far down beneath the basements.
You are shaking me, shouting the words you hope will trigger something in my mind, Alabaster, Castaigne, Penrose, Keystone, and I try to tell you that it’s fine, that I’ve reached some kind of understanding with this place.

The research! I say, Think of what we are discovering!

But you just speak the words over and over, following instructions. I become aware of a minute fluctuation in temperature, a half degree or less.

And you are gone.

There is silence, the band has stopped playing, the walls have stopped breathing. I can feel my hands and my face and the weight of my pack. I am inside of a house. It is dark. My headlamp has gone out. I have a thirst beyond reckoning and I know that time has passed, but not how much. I try to take a step, my mind vaguely tracing a route back to the first floor, but discover that I have to sit down, suddenly exhausted.

Cross-legged on the hardwood, I try to remember what happened, where you went. I try to go back to that place, that state of mind. If only I could get back there, then I could simply feel where you were in the house, if you are still here. I am. Sitting on the fourth floor, unable to summon the energy to rise. Here between a broken statue and the library, groping in the dark, silent and agonized, feeling much like a ghost.

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Poetry

More to See

We met in a bar,
you know the kind of place,
sticky floors,
animal heads on the wall,
cheap domestic beers.

I took her home,
but we didn’t talk much
which, I remember thinking was weird…
that she didn’t need much convincing.

We listened to a couple records,
smoked a little pot,
and when we fucked,
I saw the origin of the universe.

There was a towering white structure,
stationed within and without
this endless black nothing
and from the center of that place
I saw a figure emerge,
unreal and shifting,
riding out of the tower
on something resembling a horse,
they were riding up and off,
into the void.

In his hands
he cradled it gently,
that specific point of time and space:
The Spark of Creation.

And on his heels, the Nephilhim flew.

Back in my bed,
I scream a name
I have never heard before
and she holds me
through the night, whispering.

She wants to do it
again in the morning,
but I’m too scared,
when I ask if she saw
anything last night,
she only smiles
and sees me off to work.

All day,
I am unable to forget,
I leave the office early,
just to be with her.

She is waiting for me
in my apartment.
I sit her down and we
look into each other’s eyes.

Before the second time,
we speak of many things:

Yes…she has been tested.
Yes…she is from out of town.
Yes…there is more to see.

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