Poetry

Zoo Dreams (2 of 2)

I don’t remember the wild,
but my mother does.

She won’t talk about
what happened to her herd,
but her left eye,
sightless and milky white
speaks of a cruel world
beyond these walls.

Home to her now means
not having to wander,
to destroy all the time,
or worry about her children
and she says,
that is worth the space.

Though recently,
she does mutter in her sleep,
about the graveyards of Asia…

They are calling out to her,
across oceans
and across instinct,
begging her
to finally come home.

Standard
Poetry

Beneath The Pepper Trees

We sank beneath the pepper trees,
full of lust and dustbowl sadness
he’s just a boy from town,
could have been anybody
with swagger and words.

He touches my scars
but can’t look me in the eyes
and when each breath
is shorter than the last
he whispers,
What if we get caught?

So I go faster,
past it all
and he forgets to speak,
his eyes making
lazy turns in the sky.

When we’re done
he tells me of his life,
so I nod at his words
and shake at his god,
so unlike my own,
all savage and undone.

When he tells me he loves me,
I just hold him close.

It’s dark when we close our eyes,
his marks still fresh on my body
but by morning he is gone,
off onto the freeway
and on into obscurity.

His marks are gone too,
but not his god and not the night
they follow me close all the way home,
back to the reeds and shallows
on the black water,
where the sumac grows wild.

Standard
A Year in The Deepwood

Deepwood: J.R. Westermont

In the summer of 1882,
Jonathan Reginald Westermont
millionaire philanthropist
and big game hunter
bought several parcels of land
containing a dense forest
in the American Pacific Northwest.

The next Spring,
he hired a team of
former military men,
adventurers and survivalists
who he took into the woods
on what he called,
“a kind of training exercise”

That night,
while the team made camp,
he told them a story,
one about an endless forest,
with creatures no one
had ever seen before,
a place that defied size and nature,
with some lost civilization at its heart.
Most of the men laughed at this idea.

The next morning Westermont was gone.

Abandoned, the team tried
to find their way out of the woods,
but upon discovering their markers destroyed,
quickly became disoriented,
the forest’s natural features
seeming to have shifted overnight
or in the case of many trailheads,
simply disappeared.

The team’s journals end there.

The only survivor, Tobias Briar,
a civil war veteran and surveyor
emerged six weeks later,
emaciated and half mad,
raving about a creature
that had hunted the men down
one by one as they tried to escape.

The man had been in the woods
for less than two months,
but claimed that he’d been lost
for over a year.

The incident was pinned on Westermont,
whom no one has seen or heard from since.

The papers put a heavy emphasis
on his time spent in an asylum as a youth
and his obsession with hunting,
one Boston publication going as far as to say:

“Westermont could not be happy,
unless he was hunting the most dangerous game.”

Standard
A Year in The Deepwood

Deepwood: The Deer & The Wolf

I spotted them from
the highest tower,
barely visible
amidst the falling snow.

First the deer,
dragging a broken
leg behind her,
her blood staining
the virgin ground.

Then the wolf,
lapping it up
as he followed.

The doe paid
me no mind,
but the wolf looked up
when he passed,
seeming to see me there…

The last man alive
in Castle Blackwold,
all alone,
locked in the highest tower,
amidst the falling snow.

Standard
Poetry

Do You See Him Now?

Do you remember
that day in the courtyard,
just after the morning mist?

The man we met there,
with his tricky smile
and grown-up voice,
like he knew everything in the world?

I asked if you saw him there,
mumbling to himself
between the hemlock and holly,
with his grey-green cap
and stinking breath.

You said no, but you
had a smile on your face,
I was younger then by two years
and I didn’t know what to think.

You asked me to hold your hand,
I don’t remember if I did,
(it doesn’t sound like
something I would do)
but I know that I was afraid…

Of what I wanted to do,
of what I saw in the man
with the sticky hands,
fumbling with himself
there between the hemlock and holly.

Do you remember him?
That day in the courtyard,
just after the morning mist?

Standard
A Year in The Deepwood

Deepwood: The Hunter

I will hunt you to the ends of the Earth.

And when you see me,
you will know that there is nowhere left to run.
I have hunted the animals in The Green
and I have killed them all;
what do you think am I going to do with you?

I wounded you once, in the snow,
you left a trail of blood behind you,
so that I would have your scent.
I would have caught you then,
but you lost me at the edge of
The Deepwoods.

And in that moment,
I realized that I loved you

you clever little beast…

I love you.

And I will hunt you to the ends of the earth.

Standard
Poetry

The Peril of the Waves

Savage here the wind does blow
through the city’s standing stones
to the path along the water
where once I walked a sailor’s daughter

Gentle then was the breeze that came
and carried with it your first name
in father’s stories overheard
and in the shapes of summer birds

Idle then, as a bottled ship
they told me you could not exist,
when through the rain, I saw your face
upon a ship bound for Thrace.

But evil are the empty phrases
given to the girl who waited
like a captain, tied to mast
bound & deaf as the furies passed.

On lonely shores, I marked my days
in inches unravelled into the maze,
bits of hair and flesh to you
stretched and tied like Ariadne’s clew.

Darkly still, I walk the path
up the cliffs of browning grass
to cast my prayer across the sea,
Come back to the world, come back to me.

Standard
A Year in The Deepwood

Deepwood: The Stream

Turtles gently roam
its sloping banks
passing sumac
growing red and wild,
while strange colored fish
whirl and spin in clear shallows,
in and around cattails and reeds
all growing uninterrupted.

Overhead, a large falcon follows
the corridor of trees,
that grow along this stream,
his summer shadow cast upon
the bed below,
shimmering darkly there among
the centuries smoothed stones,
the occasional arrowhead,
and one or two familiar looking
bones of unknown origin,
half buried
and entirely forgotten,
in the sand

and silt

and time.

Standard
Poetry

Missing Parts

My sister went missing in the Fall of 1986,
just as the leaves were beginning to turn,
nothing was different the next morning
except that she was gone,
her bed still messy from the night before.

The whole town came out,
searching the nearby fields and woods in a line,
beating the wet brush with sticks,
calling out her name.

She was only seven years old.

They thought it might be our mom,
who’d run off when I was eleven and Lucy just three,
but she never cared enough
to commit a crime just for our sake.

Neighbors brought us cookies
and casseroles using green beans
in every possible combination,
telling us they’d keep our family in their prayers.

I got asked to homecoming
by five or six different girls that year,
each one expressing their sympathy,
relieved when I said no,
that I didn’t feel up to it.

The town even cancelled Halloween,
parents taking kids two towns over
just to go trick or treating,
their own neighborhoods voluntarily stripped
of laughing skeletons and spooky cotton spider webs.

They searched for a few weeks,
but in the end,
all they ever found was
her shoe, the left,
half-buried in mud by the interstate
about a mile from our house.

They say she wandered out that night
getting picked up by the wrong man,
who’d said something to get her into his car
(she knew better than to talk to strangers).

Her face was in the news a lot that winter,
warning parents to be more mindful this holiday season
and again during a push to crackdown on
vagrants and undocumented workers in the state.

One paper argued
that she tried to run away that night,
fleeing some situation at home.
They made certain accusations about my father
and though nothing ever came of them,
the other parents in town would still regard him
with an air of suspicion, their faces asking,
“If you didn’t do it, then
how could you let it happen?”

By next spring,
Dad was talking about it less and less
but her room was still the same,
disturbed only by time, dust,
and the detectives’ mild probing,
b
ut by summer,
he seemed ready to forget.

We went upstate that July
and spent a month hunting at our cabin,
built by his father before my dad was born.

One night by the lake,
he apologized to me,
for everything that had happened
and for all that he had done.

A year later,
we had a funeral and a “celebration of life”
which is a nicer word for a wake;
they served white cake
with little pink roses made of icing,
soft and sickly sweet.

We buried a casket
of her favorite things,
toys and stuffed animals, mostly.
Then everyone began to talk about closure,
and being able to move on.

The whole thing shook my father up pretty bad,
but he didn’t start drinking again
until I went off to college.
He passed away the summer
before my sophomore year,
finally leaving me to my own devices.

I didn’t kill again until I was almost 30,
the memory of my little sister
struggling beneath my weight,
having faded to a secret place of mind,
next to my first cigarette,
stolen from grandfather’s desk,
my first drink of alcohol,
given to me by my mother when I was six,
and my first sexual experience,
a warm sticky fumbling
in the backseat of my dad’s station wagon.

Standard